Fatale – Jean-Patrick Manchette
Fatale by Jean-Patrick Manchette, translated by Donald Nicholson-Smith, afterword by Jean Echenoz / ISBN 9781590173817 / 98-page paperback published by NYRB Classics
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Whether you call her a coldhearted grifter or the soul of modern capitalism, there’s no question that Aimée is a killer and a more than professional one. Now she’s set her eyes on a backwater burg—where, while posing as an innocent (albeit drop-dead gorgeous) newcomer to town, she means to sniff out old grudges and engineer new opportunities, deftly playing different people and different interests against each other the better, as always, to make a killing. But then something snaps: the master manipulator falls prey to a pure and wayward passion.
Aimée has become the avenging angel of her own nihilism, exacting the destruction of a whole society of destroyers. An unholy original, Jean-Patrick Manchette transformed the modern detective novel into a weapon of gleeful satire and anarchic fun. In Fatale he mixes equal measures of farce, mayhem, and madness to prepare a rare literary cocktail that packs a devastating punch.
Jean-Patrick Manchette (1942-1995) was a genre-redefining French crime novelist, screenwriter, critic, and translator. Throughout the 1960s Manchette supported himself with various jobs writing television scripts, screenplays, young-adult books, and film novelizations. In 1971 he published his first novel, a collaboration with Jean-Pierre Bastid, and went on to produce ten subsequent works over the course of the next two decades and establishing a new genre of French novel, the néo-polar (distinguished from traditional detective novel, or polar, by its political engagement and social radicalism).
